Category Archives: contemporary home design

Architecture Is Not a Luxury

Living With Ingenuity

Architecture is often considered a luxury but why should that be true? I think good design is a necessity; it’s about invention and making new things happen. Bad design ought to be the luxury we cannot afford. And what is the general definition of luxury anyway? It derives from the Latin words luxuria and luxus, meaning excess; in the 18th century it came to mean “something enjoyable or comfortable beyond life’s necessities,” according to the Online Etymology Dictionary. Shelter is of course a necessity; but it’s the job of architecture to make shelter something more — and more can mean comfortable, expressive, ingenious, idea-rich, even memorable. If that’s a luxury then hold the foie gras — I’ll take design. I feel architecture can inspire our own sense of possibility and make us aware of nature and the world around us in fresh ways. Take a tiny “unbuildable” infill lot in Tokyo, for example. Architect Yasuhiro Yamashita,

of Atelier Tekuto (photos courtesy the firm) saw the size limitation as an opportunity to develop a sort of contempo-Gothic iceberg: towering translucence

above, expanding volume below. Walls of obscure glass soar to a point (the wall is the ceiling) over the entry and bedroom floor above ground and make it

possible to flood the underground living area with daylight. Also the plan of the house tapers toward the back door, creating a false perspective that gives an impression of spaciousness, which is accentuated by the white metal fittings and walls. It resembles the bridge of a ship. Or a lantern for living. (Though I admit there’s not a lot of room for Granny’s sleigh bed.)

Or what about this unusual house by architectural historian and architect

Terunobu Fujimori (photo by Adam Friedberg via Dwell) that ingeniously combines opposites, an anchoring cave and a high-in-the-sky tea house, within a charred cedar skin — which is a traditional Japanese method for


protecting wood from insects (photos, courtesy Materia Design, and Japanese Craft Construction on Flikr). The design may be a luxury for the inhabitants but for me it is essential because it beautifully illustrates what a home can be: sheltering cave as welcoming entry and foundation; tea house as flight of fancy, an imagination set free. And yet contradictions abound — as they do in many homes. For what is a tea house but a space for ritualized ceremony — so here is ritual lifting away and loosening up — literally. And the cave is not dark and carved from stone but open and full of light, like a breezeway. Not to mention the burnt exterior protected from decay. Architecture can tell a story by turning some ideas upside down and making them hard to forget. Louis Kahn once said we didn’t need Beethoven’s Fifth Symphony until we heard it; well it’s the same with great houses. Maybe architecture is the luxury we didn’t know we needed.

On a somewhat more prosaic (certainly less melodic) level, to me the greatest luxury at the moment would be if my sweet peas climb up the grid of string I have tied to the backyard fence. Or maybe if we added an outdoor shower – like

the one here (courtesy Sunset Magazine). In any case, spring is here — and that’s a luxury I can live with.

Small Home Survey Results

Less Is Not Little

Last week I was on a panel about small home design at the Builder Show in Orlando organized by Gale Steves, author of Right-Sizing Your Home and former editor-in-chief of Home magazine. I talked about how our understanding of what is small — and what a small house should contain — has changed, from Gothic Revival cottages of the 19th century — like the

one in Eldon, Iowa (photo courtesy State Historical Society of Iowa) made famous by the painter Grant Wood — when clients had pitchforks and a small

house meant two or maybe three bed chambers and no bathroom in well under 1,000 square feet (painting image courtesy Art Institute of Chicago) to Craftsman style bungalows of the early 1900s, when middle class commuter suburbs burgeoned and pitchforks gave way to briefcases, and one bathroom per house became the general rule. Larger small houses of the 1920s might have had three or four bedrooms but only one bathroom and perhaps a powder room in roughly 1,600 sq. ft. A profusion of plan books like

this one by Los Angeles architect Paul Williams targeting the small home appeared right after World War II. In the early 1950s popular designer/developer Cliff May compressed the sprawling ranch house concept into his Low-Cost Ranch House idea, which was typically 3 bedrooms and 2

bathrooms in 1,675 sq. ft. See how the carport storage wall and the planter define the entry, and how living room and breakfast area open to the courtyard. The galley kitchen is still somewhat removed from the main living space but opens easily to the breakfast area. The master bath is minimal, with just one vanity. The design was simple, contemporary, and incorporated outdoor space to create a feeling of spaciousness. These and similar modern ranch house plans took off, helping to shape post war suburban America. In the 1970s, 80s and 90s, rising land costs and higher expectations – i.e. more bathrooms, double vanities, three car garages — led to smaller lot sizes and the need to maximize space by building two story plans packed with amenities. A burgeoning interest in luxury amenities, fueled by expanding credit, led to the over-built McMansion phenomenon we all know. Lots shrank and houses grew. According to census data the average American home grew from 1,660 sq. ft. in 1973 to 2,392 sq. ft. in 2010.

We surveyed a targeted group of our customers earlier this year and asked what they considered small. More than 1,000 prospective plan purchasers responded. Seventy percent of them defined small as 2,000 sq. ft. or less.

They want their largest spaces to be the Great Room, Kitchen, and Master Bedroom. The Dining Room is essentially extinct as a separate room. Most respondents feel they can minimize space in Other Bedrooms and Baths.

Other spaces that are important to them are Useable Rear Porches or Decks, Laundry/Mudrooms, Open Floor Plans, and Energy Efficiency. Surprisingly, nearly half are interested in One-Story Plans.

So, have we come very far from the early 1950s, when industrial designers Charles and Ray Eames first put into practice their famous phrase “to make the best for the most for the least” ? Yes, I think so. Because we are re-appreciating  and re-learning that concept. Today’s small house has improved. It’s a little larger but also more flexible, energy-efficient, and comfortable, like Plan 537-3

by Concept Home, with 3 bedrooms and 2 baths in 1,636 sq. ft. But now the pitchfork and the briefcase are accompanied by an i-Pad!

One last note: real estate columnist Katherine Salant reported on the panel  in The Washington Post. I hope you can check it out.

Retro Modern Showhouse in Orlando

Water Tables, Flame Throwers, and Other Novelties

Splash and Sizzle seemed to be the watchwords of the latest show house sponsored by the National Association of Home Builders and Builder magazine. Designed to be a “reinterpretation of the classic white box of the 1960s and ’70s,” this so-called “New American Home” (the program, now in its 29th year, is a design and new product showcase for manufacturers) occupies an infill lot in Winter Park, just north of Orlando, Florida. I toured it earlier this week while I attended the International Builders Convention in Orlando.  The modern two story, 4,183 square-foot home wraps around three sides of a square

pool flanked by decks, effectively turning the water — and outdoor living — into  glamorous sculptural features. The pool sharply edges the lanai, shown above, which means you better not have that second martini unless you fancy a dip. Probably not a space for toddlers, either, come to think of it. Electrically controlled screens by Phantom Screens glide down from the ceiling (where they are hidden) to keep

insects away. (Photos above courtesy James F. Wilson.) There’s no denying the resort-style theatricality: in one corner of the deck there’s a riff — or is it a ripple — on the Renaissance idea of the “water

table” — though here the water runs under a glass top to form a cascade at one end. It looks wildly impractical  and is pretty noisy but would be a great spot to sip a margarita on a hot and humid summer day. Or is this where you check in! Fire is the other element that gets a lot of play, from the stainless steel “Bellagio

Patio Torch” by Napoleon Fireplaces on the deck, to the glass flame cube placed on the outdoor kitchen counter. Australian fireplace manufacture Eco Smart is especially

inventive — their other designs beside the Mini T, above, include the Cyl,

the Bulb,

and Styx. All of the Eco Smart products use bio-fuel.

The house is clearly designed for a very specific client in mind — an art lover who enjoys taking advantage of the balmy Florida climate. The plan shows how

everything opens to the outdoors; in fact the front entry is actually into the lanai, which seems appropriate in Orlando. The restricted palette of white stone,

white solid surface, glass, and chocolate brown cabinetry (as here in the kitchen) is too slick and boardroom/penthouse for my taste, but it was fun to explore. I

think my favorite spot is the upstairs lounge with its deck and partial street view, shown above. (Two previous photos courtesy James F. Wilson.) I was encouraged to see a modern design approach instead of yet another reworking of a Mediterranean style. And anyway, the house showed off the products very well, which is what it was designed to do. The house was designed and built by Phil Kean, LLC/Phil Kean Designs.


Contemporary House Plans from Estonia

Talent — and Modern Living — from Tallinn

I am excited to introduce house plans by Andrus Elm and Oliver Kangro of Concept Home, a company from Estonia on the Gulf of Finland with wide engineering, architecture, and development experience across Southern Europe and Scandinavia. Concept Home is the newest member of our International Exclusive Studio, which also includes plans by architects from Australia, Brazil, India, Ireland , and Italy. I’m drawn to Concept Home’s open and adaptable layouts, wide range of plan types, and warm contemporary style. Plan 537-9, for

example, which has 1,487 sq. ft., would work well for a ski chalet or a country getaway, with its strong

indoor-outdoor connections (terraces on two sides) and upstairs balcony leading

to two bedrooms, which lets the upper level share views out the tall living room window wall. Plan 357-13, below, has 4 bedrooms, three baths in 2,300 sq. ft.

boasts a handsome extended hearth in the living area and a generous covered

dining terrace off the kitchen. With its shed roof, vertical board siding, and

window wall, Plan 537-17 recalls classic modern designs like the Sugar Bowl Ski

Lodge of 1939 designed by architect William Wurster (photo courtesy 2729

Hyperion.com) and a mid 1960s house like this one at Sea Ranch by Joseph Esherick (photo courtesy Sea Ranch Escape).The layout of Plan 537-17 is

carefully thought out with a multi-functional island — for cooking and dining –

separating the kitchen from the living area, a large storage closet near the kitchen, and terraces at front and rear on the ground floor and deck above. The aim of Concept Home is to design houses that are flexible, functional, full of

natural light (this is Plan 537-4), and inexpensive to build. They feel natural and warm. And, according to Concept Home: “Most of our houses can be adjusted to passive house principles in a great variety of geographical locations. We believe that a modern house must be energy-efficient.” Bravo.

So welcome home, Andrus and Oliver — or should I say it in Estonian: Tere tulemast kodu!!


Praise and Parody for the Minimalist Home

Nature Abhors a Vacuum Cleaner, or Maybe Not

I’m always drawn to the orderly, spare, modern designs you see in glossy home magazines and books. But my house is not so spare and not everything is in its place. I’m kind of a pack rat as my wife — and office mates — will tell you. I go through periodic bouts of frenzied cleaning but the tide of newspapers, magazines, and books rises regularly. So I was pleased to come across the ingenious new book by Molly Jane Quinn and Jenna Talbott aptly titled It’s Lonely in The Modern World (Chronicle, 2011), which is an ironic primer on how to navigate the field of architectural minimalism.

These are the people who started the clever blog Unhappy Hipsters, which takes a wry look at ambitiously artful modern homes like this one and the way they’re

portrayed, where the individuals on the stoop seem quite unaware of what’s behind them (or perhaps it’s the elephant on the deck; image courtesy ifound). In these sorts of houses messy realities — like the need for windows and daylight, for example — never intrude, especially in architectural magazines. But spoofs are the sign of a publication’s success. (Remember the Tolkien parody Bored of the Rings by the Harvard Lampoon, and the one of Sunset magazine with a photo of a family picnicking in front of a nuclear reactor.) So I started looking around for ways to be both hip and realistic — i.e hide the clutter in sleek and elegant ways –  like this handsome storage bench from Herman Miller. It would help with all the bags

and blankets at the bottom of our bed. Or maybe we just need a new bed frame that incorporates storage drawers, like this version from Bluedot, which

streamlines a storage idea that was popular in the 1960s and 70s. Then what about a place for charging cameras, iphones and ipads? Bludot’s “Juice box” is

a clever solution in the way it hides the plugs and keeps the wires under control (image courtesy Mashable). This loft bedroom by Jordan Parnass Digital Architecture includes an

especially clever stair/bureau with pull-out storage drawers — though I would

probably need a railing, and I notice that the books seem to be piling up…

So in the end I confess I am impossibly conflicted because I am a huge fan of spareness and the uncluttered look and am always promoting it, while only rarely achieving it myself. Our Plan 491-2 by Braxton Werner and Paul Field

might be one answer to my dilemma — it’s uncluttered but not severe, there is storage, and pillows are scattered on the floor!