Category Archives: Plan Collections

Wild Architectural Rides

Working Vacations

Some architects are always looking, and adapting what they see for their designs. Take David Weingarten and Lucia Howard of Ace Architects, for example. Their “Rancho Diablo” is an extraordinary architectural travelogue or “ride” that incorporates references to the Wild West desert of Wile E. Coyote, Italy, and early Bay Region design history.  Here are some images of the house.

The marvelous ovoid openings that appear in all three images (photographs courtesy Ace Architects) are adaptations of a Gothicized window treatment developed by Berkeley, California architect Bernard Maybeck for some of his early 20th century houses like the one shown below.

You can see that David and Lucia enjoy their work! But there’s more. Rancho Diablo also houses one of the largest collections of miniature or souvenir buildings in the world (it may well be the largest), amassed by David Weingarten and Margaret Majua. These include coin banks, pencil sharpeners, lamps, thermometers, and salt and pepper shakers in the shapes of landmarks from across the planet — they are often in exhibitions at SFO, museums, and elsewhere.

At Rancho Diablo there is a special gallery that holds a selection of the miniatures. Here you can tour the Eiffel Tower and the Egyptian pyramids without leaving home.

As the architects themselves might say, their work, like their collecting, is “vigorously eclectic.”

Not to be outdone completely, Houseplans.com has a growing collection of plans that exhibit a travel-history (travelicity?!) quality, which seems especially appropriate for summer.We have a version of the White House, for example, Plan 119-189.

Or if the burden of history is a bit heavy, why not lighten the load with a lighthouse, Plan 64-204.

You can see more such designs in our Unique and Unusual House Plans Collection.

Another friend of mine, artist Keith Wilson, never stops working when he’s on a holiday trip. His eye is architectural and whimsical at the same time: color and shape recombine in almost childlike ways, recalling the work of Paul Klee. His drawn buildings are recognizable but novel, like the vibrant sketch of St. Peters in Rome, shown below.


Just a few elements – curves, columns, pediment, dome – capture an impression of the landmark, while the bright colors and grid change it into something new. I think this process of “capture/change” is what many people go through as they visit a new place. Vacations are the times to refresh your image banks! So use your camera or I-phone to record your surroundings — you may see ideas you can adapt for your new home. Bright colors for an accent wall? Or maybe you’ll see a Gothic window you can reinterpret. I think this is what summer is all about — looking for ideas wherever your travels may take you.


FLW Anniversary and Spring Plan Sale

75 Years Young

It’s incredible to think that the most famous modern house in America — Fallingwater in Bear Run, Pennsylvania by Frank Lloyd Wright — turns 75 this year. I have toured it twice and it still looks contemporary and forward-thinking today. Thanks to Fallingwater (Rizzoli 2011) a new book of essays and sumptuous photographs edited by Fallingwater’s director, Lynda Waggoner, you can take an engrossing armchair tour. Those cantilevered decks still inspire — though they have been strengthened over the years — but after three quarters of a century suspended over a waterfall anyone could use a little help!  In fact, the chapter by the engineer Robert Silman, who did the artful and seamless strengthening job with post-tensioned concrete (he was part of the team that helped first responders to the World Trade Center analyze the stability of surrounding structures)  is especially fascinating reading. (Wright photo courtesy Water history.org) Silman even quotes a letter from Frank to his client Edgar Kaufman, who had hired an engineer to second guess Wright’s own calculations: “You seem not to know how to treat a decent one [architect]. I have put so much more into this house than you or any other client has a right to expect that if I haven’t your confidence — to hell with the whole thing.” Don’t mess with Texas, er Taliesin! Spring is a glorious time to tour the house — to do so contact the Western Pennsylvania Conservancy.

Spring Plan Sale and More Siting Advice

Though Fallingwater raises residential architecture to a high art, the principle of uniting structure and site should be an important part of every home design. One of the common refrains of this blog — and of Houseplans.com — is that every ready-made house plan should suit its lot or be adapted to it. Here’s an example, from our Spring Sale of Selected  Exclusive Plans (up to 40% off through May 31, 2011): the two-story Garage/Studio Plan 498-3 by architect Matthew Coates, which could easily become an in-law suite or backyard cottage. It’s a simple gabled box with a shed dormer but see how it is dug about four feet into the hill on the entry side so the car has a level pad. As you walk around it you see how each side responds to a different context, from the far side, where it’s not dug into the slope and it’s possible to have a straight path back to the entrance for the studio stairs. At the rear you can see how the stair takes advantage of the corner to bring  light not only to the stair itself but also down to the garage and up to the studio. The shed dormer takes it from there offering a private view into the forest. Our Flexahouse Plans 445-1 through 6, (also on sale through the end of May), make a similar point. Architect Nick Noyes designed the Flexahouse , which is a type of ranch house, in three configurations so it can suit different lot conditions, from long and narrow to short and wide. (Click Spring Sale Plans to see all our exclusive home plans on sale this month.)

Orientation to the sun is key; in the northern hemisphere a southern exposure is usually best for warmth in winter and cool breezes in summer; west-facing glass needs to compensate for hot afternoon sun with insulation or shading of some sort. A northern exposure offers cooler indirect light and is the classic orientation for an artist’s space. A breakfast area often faces east to catch the morning sun. In a way you can think of the house as a sundial: analyze each room — where will the sun be coming from when you think you’ll be occupying it most often? It’s easy to modify a plan by replacing a window with a door for more convenient outdoor access, say, or by adding a window to capture a view. And our Modification Department is happy to help! A good house plan is only good if it takes advantage of its site.

Shaping Inspiration: Aqua Tower to Home Plans

New Waves in Nature vs. Nurture

I heard a fascinating lecture by architect Jeanne Gang of Studio Gang recently. She talked about the unusual wave-like design of her soaring 82-story  Aqua Tower (including apartments, condos, and a hotel) built by McHugh Construction and Magellan Development Group in downtown Chicago. The compelling design derived in part from studies of view corridors and wind patterns — and was also partly inspired by images of limestone cliffs along the Great Lakes, as shown here and which were themselves created by water and wind (photo courtesy Immaterial/Supermaterial, Woodbury University).  The myriad shapes of the curvilinear concrete balconies “confuse the wind” (i.e. slow it down) and give each apartment a sense of individuality (Aqua Tower photos courtesy The International Coolhunting Magazine). In most cases the curving balconies shape views and shelter living spaces from heat and glare. Where balconies are not feasible a different glass — with higher insulation value — is used. The reduced overhangs and use of a different type of glass (which is tinted a greener color) make it appear that ponds have formed on each of the tower’s vertical surfaces. Reusable, flexible steel forms for the cantilevered concrete balcony sections made the construction possible.

The lesson I drew from Jeanne Gang’s talk was that a her firm does a great deal of research into site conditions and the natural and  cultural histories of an area before developing a particular design. The design is thus “drawn out of the site.” (A new book on their work titled Reveal from Princeton Architecture Press explains this process.) This is a good way to think about home design as well — the house plan and the lot should complement each other. Mentally place your plan on your site and check to see if any key outdoor spaces are easily accessible, or if you should replace a window with a door.  This plan 64-166 by Dan Tyree uses balconies and window walls to maximize views on a steep slope. Plan 500-1 by Robert Swinburne has  a side-facing bay window, which means its lot should have  room for a side yard.  In Plan 498-5 by Matthew Coates glass folding doors could replace the conventional sliders as a way to open up more of the great room to the patio. Indeed, I think every ready made plan should be modified to suit its site. By the way, these three plans are part of a selection of Exclusive Plans Temporarily On Sale for the spring building season.

Footnote

I asked Jeanne Gang how she got such a remarkable tower commission and she said it was mostly serendipity. A client invited her to a party and she met a developer who said he was interested in her work and would she consider a project he was starting. Sure, she said, thinking nothing would come of it. A few days later she got a phone call asking for a meeting in a few days. She assumed it was a competition so she quickly prepared a Power Point on her firm’s deep experience and award-winning past projects.  But when she got to the meeting the developer said he already knew her work and already had hired her and how soon could she have a design ready? “It was the most unusual and easiest commission we’ve ever gotten!” she said. Another lesson: you never know who is watching your work — or if the next plan you click will throw a curve and strike your fancy and become your dream house!

Avant Garde Rentals and Granny Flats

Cutting Edges

Spring fever is upon me and I am distracted by thoughts of traveling the world — so the New Yorker article by architecture critic Paul Goldberger about modern holiday houses in England captured my imagination immediately. He describes spending the night in an unusual new house called The Balancing Barn, designed by the Dutch firm MVRD. Situated on the Suffolk coast, it is, in his words:  “a shiny metal structure that sticks out over a hill, less a barn than a covered bridge that stops in mid-air.” The  image below shows just how startling it is, with a child nonchalantly swinging from the underside of the cantilever — as if an updated Alice has stopped to play while the Mad Hatter — now an avant-garde architect — is up in the kitchen putting the kettle on.  Paul recounts how surprisingly comfortable and even conventional the house is inside, despite the startling appearance of being suspended over nothingness. There is however, a window in the floor of the living room that connects guests to the ground even as it reminds them that they are lolling over a void. Talk about a new perspective! I think a weekend here would be very refreshing. This structure is part of a not-for-profit organization called Living Architecture, the brainchild of writer/philosopher Alan de Botton whose insightful and beautifully written 2006 book The Architecture of Happiness explores how architecture affects and even defines us.  The idea of  balance in building design, which is the subject of one chapter, appears to have been taken quite literally in this particular commission! The house sleeps eight people and rentals are for four nights. (Cantilever photo and interior view from Designboom; aerial shot courtesy Living Architecture.)

De Botton founded Living Architecture as a way to help people experience modern design first hand. A cool idea. There are several other rentals in the collection. Shingle house, by the Scottish firm NORD Architecture, situated near Romney Marsh in Kent (the shingle name refers to the pebbly site, not the siding material) is a series of simple gables — almost like an arrangement of toy blocks. The interior is all white with a handsome U-shaped kitchen that opens toward the beach. Deftly placed windows here and in the dining area frame the views like paintings. The handsome banquette saves room and with the white-painted vertical board walls makes the small space seem larger than it is. Dune House in Suffolk, by the Norwegian firm Jarmund/Vigsnaes Architects, resembles a Rubik’s cube that has been pulled slightly apart and set on a glass base. The living room includes a sunken area in front of the fireplace — the return of the “conversation pit” from mid-century modern design. The master bedroom includes a sculptural freestanding tub with its own view of the sea beside the door to the water closet and shower — truly this gives new meaning to the phrase “bed, bath, and beyond.” (Previous six photos courtesy Living Architecture.) Three more holiday houses are in the works and are slated to open by 2012. The Living Architecture website provides comprehensive photo tours of every rental — excellent homework for anyone thinking of building a new house. Meanwhile I need to start saving up for a fact-finding trip…

Essential New Books on Granny Flats and Cottage Style

Two excellent books recently came across my desk. The cleverly titled In-Laws, Outlaws, and Granny Flats (Taunton Press, 2011) by Michael Litchfield, a founding editor of Fine Homebuilding magazine, is a comprehensively illustrated guide to the design and building of backyard cottages and additions for aging in place. Interviews with families who have completed this process  show that the trend is well under way. A thoughtfully designed in-law unit or granny flat makes it possible for seniors to live near family members without losing their independence. Communities  across the country are changing their zoning laws to allow the greater density that backyard cottages produce. The changes are long overdue. Chapters range from basement remodels and garage conversions to stand-alone structures — with a wide variety of case studies for each type of dwelling unit. For more ideas take a look at our own Granny Unit Collection, including the Inspired In-Law Cottage by Larson Shores Architects, which comes in four different styles and plans. The L-shaped version, Plan 507-3,  is 500 square feet, includes a kitchenette that’s part of  the  living area, and has decks on two sides.

Storybook Cottages: America’s Carpenter Gothic Style by Gladys Montgomery (Rizzoli, 2011) explores in detail the mid-nineteenth century houses that were built from pattern books like Andrew Jackson Downing’s The Architecture of Country Houses, published in 1850. Originally from the British Isles, the Gothic Revival flourished in New York and New England but the best known example is the farmhouse in Eldon, Iowa, famously painted by Grant Wood as “American Gothic.” Now I wonder what the farmer and his wife would think of sleeping in Alain de Botton’s Balancing Barn? The pitchfork makes me a little nervous but I’m sure they would make sure to stow it tines-down before turning out the light.



Eco Building Resources

Exploring Greenland

I just toured a new showroom in San Francisco that is a one stop shop for earth-friendly flooring, cabinetry, counters, fixtures, paints, and more. It’s called Ecohaus and has outlets in Seattle and Portland as well as SF. Here are some of the items that caught my eye. I have mentioned one or two of these products in previous posts but having them all in once place makes shopping so much easier…

Marmoleum (made from linseed oil, a natural ingredient) is a type of linoleum and though not a new material now offers a wide range of

colors and patterns. The image above shows the huge array of glue-down sheets. Marmoleum also offers click-together planks for easy installation.

An expanding variety of recycled woods are now available, through a company called Eco Timber.


Their newest introduction is  FSC-certified Strand Woven Poplar

with its attractive multi-toned, vividly figured grain. It’s made from post-industrial furniture scraps!

Eco-friendly counter options are multiplying. Squak Mountain Stone offers this seductive warm gray.

It’s a composite of recycled paper, recycled glass, and low-carbon cement and comes in full and half slabs that are 1 3/8 inches thick. It has the smooth cool touch of burnished concrete.

Low-flow and dual-flush toilets are now routine, but here’s a water saving example that has also been shown at recent Home Builder shows. It uses the run-off from the sink to fill the toilet tank.

It’s from a company called Caroma, which also offers  a variety of other bathroom sinks.

Using a table as a kitchen island is a simple strong idea and this table would fill the bill for me nicely.

It’s handsome enough for an elegant meal and durable enough to use as a work surface. Made by Windfall Lumber, it’s composed of wood from shipping pallets and crates.

No- and low-VOC paints are important finishing touches and among the choices are lime based paints by Olivetti, which have a rich texture.

Something to consider for an accent wall like the one above (courtesy Ecohaus). See how the texture adds depth and richness to the hue.

New Plans to Explore

These green materials would be especially suitable for some of our latest exclusive plans, like the Vermont Simple House 1 (plan 500-1) by architect Robert Swinburne.

Bob, who started out as a carpenter before becoming an architect, is interested in creating super simple, flexible, adaptable modern and traditional designs that can be affordably constructed.

The  layout is very efficient, with a good-sized front porch.

Upstairs are three bedrooms.

He says: “My designs are green without gimmicks other than some degree of passive solar and Passive house insulation.” Which reminds me of one of my nervous tics, I mean, mantras: good design is green all by itself.