Category Archives: Porches

Architecture Is Not a Luxury

Living With Ingenuity

Architecture is often considered a luxury but why should that be true? I think good design is a necessity; it’s about invention and making new things happen. Bad design ought to be the luxury we cannot afford. And what is the general definition of luxury anyway? It derives from the Latin words luxuria and luxus, meaning excess; in the 18th century it came to mean “something enjoyable or comfortable beyond life’s necessities,” according to the Online Etymology Dictionary. Shelter is of course a necessity; but it’s the job of architecture to make shelter something more — and more can mean comfortable, expressive, ingenious, idea-rich, even memorable. If that’s a luxury then hold the foie gras — I’ll take design. I feel architecture can inspire our own sense of possibility and make us aware of nature and the world around us in fresh ways. Take a tiny “unbuildable” infill lot in Tokyo, for example. Architect Yasuhiro Yamashita,

of Atelier Tekuto (photos courtesy the firm) saw the size limitation as an opportunity to develop a sort of contempo-Gothic iceberg: towering translucence

above, expanding volume below. Walls of obscure glass soar to a point (the wall is the ceiling) over the entry and bedroom floor above ground and make it

possible to flood the underground living area with daylight. Also the plan of the house tapers toward the back door, creating a false perspective that gives an impression of spaciousness, which is accentuated by the white metal fittings and walls. It resembles the bridge of a ship. Or a lantern for living. (Though I admit there’s not a lot of room for Granny’s sleigh bed.)

Or what about this unusual house by architectural historian and architect

Terunobu Fujimori (photo by Adam Friedberg via Dwell) that ingeniously combines opposites, an anchoring cave and a high-in-the-sky tea house, within a charred cedar skin — which is a traditional Japanese method for


protecting wood from insects (photos, courtesy Materia Design, and Japanese Craft Construction on Flikr). The design may be a luxury for the inhabitants but for me it is essential because it beautifully illustrates what a home can be: sheltering cave as welcoming entry and foundation; tea house as flight of fancy, an imagination set free. And yet contradictions abound — as they do in many homes. For what is a tea house but a space for ritualized ceremony — so here is ritual lifting away and loosening up — literally. And the cave is not dark and carved from stone but open and full of light, like a breezeway. Not to mention the burnt exterior protected from decay. Architecture can tell a story by turning some ideas upside down and making them hard to forget. Louis Kahn once said we didn’t need Beethoven’s Fifth Symphony until we heard it; well it’s the same with great houses. Maybe architecture is the luxury we didn’t know we needed.

On a somewhat more prosaic (certainly less melodic) level, to me the greatest luxury at the moment would be if my sweet peas climb up the grid of string I have tied to the backyard fence. Or maybe if we added an outdoor shower – like

the one here (courtesy Sunset Magazine). In any case, spring is here — and that’s a luxury I can live with.

Dream Cabins and Cabin Dreams

Getaway Architecture

Now, during the holiday week, is a good time to dream about rest and relaxation in your own rural getaway. So here’s a short list of architecturally suggestive cabins.

One. The prefab in the trees by Swedish firm Cyrén & Cyrén gives new meaning

to lodging, not to mention lodge-pole pines. It’s a bedroom unit in the Tree Hotel, located in Harrads, near Sweden’s Lule River, and looks like it came from a galaxy far far away (photo above courtesy Inhabitat, photo below courtesy Dezeen). A catwalk leads to the

rooftop entrance (one of the other suspended rooms is a mirror cube). Improbable and delightful — I want to go there! Presumably a gentle breeze will rock you to sleep, but if you hear a chain saw it may be time to check out.

Two. Continuing the rustic theme, here’s a cabin designed for Hans Liberg by Piet Hein Eek that uses tree trunks as a way of

playing with geometry: more of a log box than a log cabin. In full camouflage mode (the wood covers a prefab plastic and steel frame) with the shutters down, the

logs pile up and the hut disappears — well, almost. “Ceci n’est pas un woodpile,” as Duchamp might say. I like the way the design takes the idea of the duck blind and runs with it (quite far away!). Images courtesy Andrew Michler on Inhabitat and also Dornob. For more images see Thomas Mayer Archive.

Three. Architect David Coleman describes his Hill House in Winthrop, Washington as a “20 ‘ wide x 115′

long stepped platform… sited on a long, narrow, rocky hillside…it reads as a habitable landscape” (photos courtesy David Coleman). I like the way it culminates in the deck with the round fire

pit defined by gabion (rock filled cages) walls on the master suite end, and with another deck and more gabions on the living room end, as if the structure is growing out of or into the land itself (photo courtesy Mocoloco.) This simple serene progression from public to private and vice versa is evocative: home as a short architectural hike…

Four. This urbane floating home on Seattle’s Lake Union by Vandeventer & Carlander Architects puts the main entertaining spaces — organized as a series of framed openings within an elegant

box — on the upper level. The living room veranda is carved out of the rectangular volume to sharpen sight lines across the water. It also cantilevers over the lower floor to shelter the deck off the master bedroom. The design shows how to swim with geometry (photo courtesy Karmatrendz).

Five. “Packed But Never Shipped” might be a good name for this clever cabin by Olson Kundig Architects.

When the window flaps — resembling warehouse pallets — are down they form the surrounding deck platforms so the tiny structure can expand (images courtesy Olson Kundig). When the vacation ends, the platforms fold up for security and the house is effectively crated, to await the next weekend when it can be unpacked and played with again. Take care of your toys and they will last longer!

These design approaches appeal to me because they are all about serious play: taking inspiration from settings, structure, and materials to fashion something unique and memorable. Use them — along with the many serious and seriously playful schemes in our Cottage Plans Collection and One Bedroom Plans Collection, like 479-1 by architects Peter Brachvogel and Stella Carosso (below)

or 517-1 by architect Jonathan Feldman (below);

or 452-2 by architect David Wright (below)

to help you jump start your own getaway cabin dreams. (When you browse these collections sort by “newest plans” to see our latest designs.) Here’s to the comfort and joy of architectural invention.

Welcome, Katrina Cottage Plans

Finessing the FEMA Trailer

Big news! We are very excited to welcome the Katrina Cottage plans — from a team of designers and architects led by Marianne Cusato — to our Exclusive Studio. Prices start at $850. Years ago I saw one of the first examples, at the Home Builder Show in Orlando (shown below, courtesy James Hardie), and was very impressed. Here was an innovative solution to the devastation wrought by Hurricane Katrina that could apply to housing needs in general.


I especially liked the efficient layout (this example is only 300 square feet), well proportioned double-hung windows, and front porch with built-in benches. I thought then, and now even more so, that this little house would dignify any neighborhood. To my mind it is a highly evolved descendant of the charming wood-framed “earthquake cottages” built for San Francisco’s homeless

after the disaster of 1906 (photo courtesy National Park Service, Presidio). Fast forward to today and our expanding collection of Katrina Cottage designs, like Marianne Cusato’s Plan 514-5, shown below.


The 544 square-foot, two bedroom, one bath house includes a galley kitchen

and a front porch that’s 8-feet deep so it can be used as an outdoor room to expand the house in good weather. Here it is as built.

(Photo courtesy Cusato Cottages.) The house is only sixteen feet wide but has a strong presence thanks to the welcoming front porch. Marianne calls this “vernacular Gulf Coast” architecture but I can see it working in places like the Northeast and Midwest as well.

Envisioned as a dignified alternative to the FEMA trailer, Katrina Cottages have been hailed for their design, durability, versatility and, affordability in USA Today, The Wall Street Journal, The New York Times, on CNN and in all major news outlets nationwide. The Katrina Cottage concept is the vision of architect Andres Duany, partner in Duany Plater-Zyberk & Co., founders of the Congress for the New Urbanism and designers of hundreds of pedestrian-oriented communities including Seaside, Florida. The cottage idea was first developed at the Mississippi Renewal Forum in October 2005. The goal was to create a safe, affordable, livable home that can be built quickly and that ultimately becomes an enduring contribution to the neighborhood — not a temporary, often stigmatized, and possibly unhealthy solution like a FEMA trailer.

Plan 514-10 by Eric Moser, of Moser Design Group, is 20 feet wide and includes a buffet bar/peninsula in

the kitchen.

 

A shed dormer brightens the loft. Plan 514-11 by W. A. Lawrence of

Period Style Homes is 25 feet wide and includes an option for adding a third bedroom. Marianne Cusato’s Plan 514-18 is the largest so far,

at two stories and 1,200 square feet. Two bedrooms and a second bathroom are 

on the upper floor. Here’s a built version of it in Baton Rouge, Louisiana (photo courtesy Cusato Cottages).

The shutters, clapboard siding, and gable profile give it a handsome Colonial Revival look.

Marianne Cusato is the author of Get Your House Right, Architectural Elements to Use and Avoid, with Ben Pentreath, Richard Sammons and Leon Krier, foreword by HRH The Prince of Wales (2008, Sterling Publishing). In 2006, her Katrina Cottage won the Cooper-Hewitt Design Museum’s “People’s Design Award.” W. A. Lawrence and Eric Moser have long been involved in neighborhood and residential design. These houses can be family homes, vacation cabins, even granny units, and it’s easy to imagine combining them into vibrant communities. To mix a few metaphors — an architectural phoenix has risen from the floods. Welcome, Katrina Cottage plans!

Barn House, Backsplash, and a Cool Thermostat

 A Rustic Space-Time Continuum

For many homeowners – with apologies to Star Trekkers – it’s really interior space that’s the final frontier. The potential for improvement is infinite. Take this new house by innovative and edgy interior designer Erin Martin working with an adventurous Napa Valley client. It’s both rustic — as a barn-inspired ranch house — and highly refined.

The big timber structure, which supports a sleeping loft over the kitchen, is exposed and becomes a foil for a sophisticated black and white furniture palette. The loft itself is simple but eye-catching, and not a little galactic,

thanks to an art piece suspended on a rope and resembling a dusty comet — or a hay bale on a bad hair day. It’s wonderful, like a tiny hint of Halloween. The table on the dining porch reads as a vertical extension of the floor, thanks to

the continuity of material — the same kind of boards are used for both. It’s a clever idea and makes you wonder just for a moment which is which — porch or table — rather like an Escher print. Martin’s design of the galley kitchen is particularly effective at enlivening our perception of space through the use of contrast. Her backsplash, for example, does more than protect the wall above the sink from water damage — not to mention the occasional “wormhole.”  She used antiqued mirror to cover the wall behind the range.

The soft indistinct reflection adds surprise while visually expanding the space into a sort of parallel universe. In this view straight down the galley


see how the backsplash almost blends with the windows, adding a little reflective mystery to contrasts with the bunkhouse-like floorboards. The peninsula dividing the kitchen from the dining/living area


includes an integral sink that simplifies the line of the counter, further blurring boundaries.

The barn has always been a good starting point for home design: a typical barn layout — which is similar to that of the Roman basilica — includes a high central portion and lower side aisles. One of our newest exclusive designs, Plan 530-2 below,

by Classic Colonial Homes, makes use of this arrangement for the garage; the living space is in the loft. Architect David Wright‘s Plan 452-1

glazes part of the roof to brighten the rear porch and the adjacent living room. Architect Francois Levy took took inspiration from gambrel-roof barns for his Plan 450-2.

Here the garage door is deceiving — it’s used not for a garage but as a way to open up an entire wall of the living space. Barns are always worth a look, if not a double take.

Heat Seeker

Finally, just in time for colder weather, a thermostat that turns up the heat through modern functional design: it’s the new Learning Thermostat from Nest, a company founded by Tony Fadell, formerly of Apple — so naturally it’s a sleekly appealing object in its own right. It’s also intuitive — just turn the dial the way you did with units of old but now there’s a new twist, not to mention a learning curve.

According to Tony: “Turns out you change the temperature in your house 1500 times a year. 1500! Our thermostat learns what temperatures you like so it can program itself. It senses when you’re out and turns itself down. And we started from scratch with design, so it’s beautiful.” I concur, though it reminds me a little of the lyric from Santa Claus is Coming to Town:  “He knows when you’ve been bad or good, so be good for goodness sake…” It has fully integrated software,  provides energy-saving tips, can be controlled from your smartphone, and installation is over most existing circuitry. If you’re good maybe you’ll get one!


How To Read Buildings; Plan Sale Trends

Before Kindle: Buildings as Books

The built environment is actually part of a vast architectural textbook waiting to be read — some structures are more biographical, some more novelistic, and some even approach the poetic. Buildings express the aspirations of individuals and communities as well as social and economic realities. By reading buildings you begin to see how a setting evolved and what it says about the culture that produced it. That’s what a new pocket paperback, Cityscapes by S. F. Chronicle urban design writer John King (Heyday Books 2011) demonstrates. It’s a compendium of quick “readings” of a wide range of old and new buildings in San Francisco, from Frank Lloyd Wright’s mini-Guggenheim on Maiden Lane to the vernacular houseboats on Mission Creek, all part of what he calls “shared touchstones of reference and recall, shaping our sense of place.” I recommend it.

House Plan Sales Trends

The way to read a house plan is to study it as closely as possible, from how it looks to how it lives. To that end I thought I would review what plans have been selling lately and do a little “reading” of my own. Naturally, I think the best houses give their occupants a sense of individuality as well as comfort while maximizing the potential of the lot — and many of our most recently sold plans do this. And I’m beginning to see a trend or two…like greater privacy for master suites and stronger indoor-outdoor connections.

Plan 484-3 was sold to a customer in Atlanta. It’s designed to take advantage of a narrow sloping lot. It’s a row house with a garage at the bottom level, living-dining area in the middle, and bedrooms at the top. Strong outdoor connections make the home seem larger than it is. See how the great room opens to the barbecue/pool patio.

The main living spaces are compact but because  they overlap and can borrow light from each other on three sides they have a feeling of spaciousness. The island helps separate the kitchen from the rest of the main space without visually cutting it off.

Generous balconies off the master and secondary bedrooms on the top floor add to the airiness.

Plan 477-4, a stately classical design, sold to a customer in Alberta, Canada. It would fit an infill site in an urban neighborhood — though it could also work on larger lots as a kind of villa.  The porch arcade shelters the front door while providing a welcoming face to the street. Inside, the layout is

not large but has an air of elegance and formality thanks to the small vestibule and stairhall between living room and dining room. A pocket door allows the vestibule to open directly to the kitchen when needed, adding to the plan’s flexibility. Upstairs, the master suite is somewhat removed from the other bedrooms for greater privacy.

Plan 450-2 sold to a homeowner moving from Oklahoma to Kansas. It’s a modern interpretation of the barn idea and would work as a vacation cabin on a rural site, as a starter home, or artist’s studio. It could also be a guest house or the first stage of a larger compound. The plan is small but very efficient– with  back-to-back kitchen and bathroom set between living area and bedroom. And yet thanks to the openings on three sides of the two main rooms — including the large glass garage door used as a moving window wall in the living space – this little house feels bright and spacious. To see the wide range of innovative plans that have sold recently visit the Recent Trend Setter Plan Collection. Read-on, MacDuff!