EYE ON DESIGN BY DAN GREGORY

Entries categorized as ‘Regional design’

Modern Cottage and Bungalow Plans

November 20, 2009 · Leave a Comment

In Pursuit of the Perfect Little House

I’m always looking for contemporary plans with a sense of history; that is, deft designs for modern living that also have warmth and character. Well, Eureka!  I’m very excited about the regionally-inspired designs by Peter Brachvogel and Stella Carosso for their Perfect Little House Company. These plans are the newest additions to our Exclusive Studio Collection. For example, Plan 479-6,  the Tower Studio,

is actually a 262 square -foot  “micro cottage” with a small kitchen/living/sleeping area and bathroom


over a compact one car garage. I think it’s an ideal home office/retreat. With its simple square shape, tapering shingled walls, pyramid roof, and band of windows at the top it recalls early 20th century forest fire lookouts across the rural West, from Tumac Mountain Lookout

near Washington’s Mt. Ranier (Bob Baldwin photo, above) to

California’s  Gardner Lookout on Mt. Tamalpais (courtesy California State Parks). What could be more fitting for a writer’s retreat than a lookout, anyway –  isn’t that right, Virginia Woolf?  I’ll take it!

Classic early 20th century cottages,  bungalows, and farmhouses — which were themselves usually built from stock plans — are important reference points for Peter and Stella. Their 780 square-foot Willow, Plan 479-9,

wraps a generous porch around a compact 1 bedroom 1.5 bath layout to make the house feel larger than it is. A starter home with architectural character — suitable for an infill lot in an older neighborhood or as a mountain or lakeside cabin — this plan

could easily be expanded at the stairway as the family grows and budgets allow. Upstairs,  windows on all four sides

flood the bedroom and bathroom with daylight. Now compare this modern design to the 1908 Wietzel House from Tukwila, WA, shown below,

(photo courtesy Nickel Bros. House Moving). The old bracketed eaves, L-shaped porch, and big gable (not necessarily the weedy front yard) are signature features of many old cottages and farmhouses.  Add a contemporary looking standing seam metal roof and crisp shingled corners and some color — not to mention a new open floor plan — and there you are: another Perfect Little House.  Or compare the Weitzel house to The Cove, Plan 479-2 –  shown below.

It’s even closer in appearance — as if the older house has simply been remodeled. In the  new plan

the garage is on an alley at the rear.

On a somewhat larger scale, the Perfect Little House Company’s 1,914 square-foot, 3 bedroom 2.5 bath Kingfisher, Plan 479-4

offers larger gathering spaces and cozy nooks for reading and relaxing,

and on the second floor each bedroom is designed as a large window bay

for views across the treetops. Note the free-flowing circulation pattern — you can walk through the bathroom to the closet and back through the master bedroom — which adds a sense of spaciousness.

The trellis, shed dormers, and simple gable (shown above in the rear elevation of Plan 474-4) echo features of early Craftsman style houses, like this example

in Gustav Stickley’s Craftsman magazine (courtesy Arts and Crafts Homes magazine).

Peter and Stella earned their architecture degrees from the University of Michigan and recently founded the Perfect Little House Company as an offshoot of their firm, BC & J Architects. Peter has extensive town planning experience with emphasis on project management and building technology, and teaches architecture at the University of Washington. Their Cottages on the Green at Roche Harbor,

shown here, create a strong sense of place: it’s a new community that feels as though it has always been there. Welcome to our neighborhood, Peter and Stella!


Categories: Architectural Innovation · Architectural Styles · House plans, layouts · Plan Collections · Regional design · contemporary home design · modern houses and house plans
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Frames of Reference

November 13, 2009 · Leave a Comment

Boxes and Barn Doors

I am always struck by how important frames are, visually and virtually, in helping us see. Take this very simple vignette by artist Spy Emerson that caught my eye recently at Flora Grubb, an exceptional garden design nursery in San Francisco.

spy-boxes-3

The wood box — no bottom, just sides — focuses the eye on the blue bottles and the small plants, creating a vivid still life. The rough wood and the way the plants extend beyond the frame reinforce the naturalness of the arrangement. So sometimes thinking inside the box is more important. Flora Grubb is a talented designer/entrepreneur whose sense of composition is especially strong. She is most famous for her dramatic vertical succulent gardens — framed in sturdy boxes like this one

succulent wall

on the patio of her plant gallery. Each of those tiny plants comprising the mosaic grows out of a small soil niche that’s set on a slight diagonal. The frame literally holds everything together while the strong outline contrasting with the busy field of green is visually compelling in its own right. The surprising vertical placement is the clincher, making us look again — and again.

All of this rumination is by way of considering how we design or reinvent the boxes we inhabit and call home. The shape and character of the frame — walls and windows, their depth, height, materiality, proportion, and placement — are the keys to good design. One frame that has always appealed to me is the barn door. I like it because it’s a space saver (no extra feet required for the door swing — I like pocket doors too for the same reason), and it makes the opening simple and dramatic

photo2 atherton hse by tgh

as in this marvelous house by Turnbull Griffin Haesloop Architects (photo courtesy the architects) where one outside wall opens through a series of elegant contemporary glass barn doors. Here the door becomes a feature in its own right and also disappears as one slides across the other.

photo4 atherton inside-outside

It’s a form of architectural magic.  Barn doors always seem to harbor an element of surprise when they’re used indoors, as in this more rustic example  by Johnston Architects of Seattle.

cabin-bedroom-l barn homes by mary

Here they open to reveal the bedroom, as if it’s on stage (photo courtesy Sunset Magazine). In many cases there are latent or obvious references

Carlson

to real barns with elements like exposed diagonal bracing and expressive hardware. The example above is by Hutker Architects of Falmouth and Vineyard Haven, Massachusetts (photo by Brian Vanden Brink). The rustic aspect can become a signature fetaure and is used to dramatic effect by Faulker Architects of Truckee, California

tahoe-house-barn-door-l tahoe idea house, sunset

and seems especially appropriate for a rugged ski country home (photo courtesy Sunset Magazine). There are almost as many examples of sliding barn doors as conventional swing types because almost any solid door can be hung on barn door hardware.

Hardware choices include spoked flat track

spoked flat track

(shown above), heftier barn-evocative type

flattrack02sm u shape

as in this U-shape example, and elaborate stainless steel systems

section3_img stainless steel track

as shown here. All three tracks are from Barndoor Hardware.com.

Though a very simple architectural element, the barn door — like the box frame — can become a defining feature.

Categories: Architectural Innovation · Building Materials · Decorating Ideas · Kitchen and Bath · Regional design · contemporary home design
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Micro Cottages

November 5, 2009 · 2 Comments

Thinking Big By Starting Small

I met up with a developer friend at the Urban Land Institute’s Fall Meeting and Expo in San Francisco this week (more about this event in a later post), and he said he was looking for what he called “Micro Cottages.” It made me think about plans that might start small and grow over time when circumstances and budgets allow — which seems a practical approach to home building in the current economy. So of course I looked through our inventory and created a collection of plans that are 1,000 square feet and under. For example, Plan 466-1

466-1e-400

shown here, is 400 square feet

466-1mf-400

and is basically just one and a half rooms: a studio with a kitchen alcove and an enclosed bathroom. The front covered patio is an outdoor room for use in good weather. I can see adding onto this plan in various ways, such as turning the patio into an entry hall with added bedrooms and bathrooms opening off it.

Or take one of Bill Turnbull’s Sea Ranch Cottages (mentioned in an earlier posting), like Plan 447-1,

447-1e-650 cottage photo

somewhat grander at 650 square feet. Again, the porch is an important expander in good weather.

447-1mf-650second image

A simple way to enlarge this plan would be to add more bedrooms and bathrooms off the living room and turn part of the front porch into a glazed hallway leading to them. Then the main living space could take over the original sleeping area.

Plan 471-1, below, is a 500 square-foot  module.

471-1e-500

Designers Sarah Ascolese and Misty Weaver designed it to be a kind of multiplier.

471-1mf-500

Add up (literally!) — to 1,000 square feet — and you have two stacked modules, like Plan 471-3:

471-3e-1000

with sleeping area now on the second floor. Or expand to the side as in Plan 471-2

471-2mf-1000

and you have 1,000 square feet in a horizontal configuration. The space between could be glazed to become an entrance hall. For more “Start Small” home ideas see our Micro Cottage Collection. Each could grow up to be a larger home someday.

 

Categories: Architectural Innovation · Design Ideas and Inspiration · House plans, layouts · Modern Houses · Regional design · contemporary home design

Geography 101

August 21, 2009 · 1 Comment

Power to the Place

A home is a kind of signpost

3430164569_9b64d6018b signs cc will ockenden

indicating where you are and sometimes where you’ve been and where you’re going (image courtesy Will Ockenden,  Flickr). In the most elemental sense, as in the historic outline of Ben Franklin’s house in Phildelphia created by Venturi Scott-Brown Architects,

ben franklin house

which functions as a frame for history, a house is the place — and everything through and around it (image courtesy imcorker2 at Flickr).

Our customers build in many geographic locations,

image001 second sales map

as this North American map shows. At Houseplans.com we think each plan should be adapted to individual needs and the site (that’s what our Customizer Tool is for) so why not go a step farther and make sure each plan says something about its location. Usually this means giving a nod to the climate. In the hot bright desert Southwest, for example, deep shade is important, while in the rainy and overcast Northwest maximizing light is key. Historically the geography, climate, and available materials, tools, and building techniques all played a role in the development of architectural styles.

Though it’s now possible to build almost anything anywhere, it seems logical to take customization cues from the site and the neighborhood as well as from larger architectural ideas about structure and space.  Look at this Rocky Mountain house

tgh colorado sidelong view

by Turnbull Griffin Haesloop Architects, whose firm designed our exclusive Sea Ranch Cottage plans.  Here’s a landscape view, for context:

photo3 TGA Colorado landscape

Sited between the treeline and the meadow, the simple structures belong where they are.  The steep gabled profiles recall ranch buildings from the 19th century while the sheltered outdoor living room — complete with fireplace — is very contemporary. The house celebrates its setting,

photo2 TGH view from outdoor fireplace

by becoming a nature viewing platform and re-imagining local building traditions while allowing for today’s living patterns.

So the lesson is: Look around when you build.

tgh colorado house

The setting and its building traditions can fire up a strong sense of place.

Categories: Architectural Innovation · Architectural Styles · Design Ideas and Inspiration · House plans, layouts · Regional design
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