Tag Archives: Contemporary houses

Modern Cottage and Bungalow Plans

In Pursuit of the Perfect Little House

I’m always looking for contemporary plans with a sense of history; that is, deft designs for modern living that also have warmth and character. Well, Eureka!  I’m very excited about the regionally-inspired designs by Peter Brachvogel and Stella Carosso for their Perfect Little House Company. These plans are the newest additions to our Exclusive Studio Collection. For example, Plan 479-6,  the Tower Studio,

is actually a 262 square -foot  “micro cottage” with a small kitchen/living/sleeping area and bathroom


over a compact one car garage. I think it’s an ideal home office/retreat. With its simple square shape, tapering shingled walls, pyramid roof, and band of windows at the top it recalls early 20th century forest fire lookouts across the rural West, from Tumac Mountain Lookout

near Washington’s Mt. Ranier (Bob Baldwin photo, above) to

California’s  Gardner Lookout on Mt. Tamalpais (courtesy California State Parks). What could be more fitting for a writer’s retreat than a lookout, anyway –  isn’t that right, Virginia Woolf?  I’ll take it!

Classic early 20th century cottages,  bungalows, and farmhouses — which were themselves usually built from stock plans — are important reference points for Peter and Stella. Their 780 square-foot Willow, Plan 479-9,

wraps a generous porch around a compact 1 bedroom 1.5 bath layout to make the house feel larger than it is. A starter home with architectural character — suitable for an infill lot in an older neighborhood or as a mountain or lakeside cabin — this plan

could easily be expanded at the stairway as the family grows and budgets allow. Upstairs,  windows on all four sides

flood the bedroom and bathroom with daylight. Now compare this modern design to the 1908 Wietzel House from Tukwila, WA, shown below,

(photo courtesy Nickel Bros. House Moving). The old bracketed eaves, L-shaped porch, and big gable (not necessarily the weedy front yard) are signature features of many old cottages and farmhouses.  Add a contemporary looking standing seam metal roof and crisp shingled corners and some color — not to mention a new open floor plan — and there you are: another Perfect Little House.  Or compare the Weitzel house to The Cove, Plan 479-2 –  shown below.

It’s even closer in appearance — as if the older house has simply been remodeled. In the  new plan

the garage is on an alley at the rear.

On a somewhat larger scale, the Perfect Little House Company’s 1,914 square-foot, 3 bedroom 2.5 bath Kingfisher, Plan 479-4

offers larger gathering spaces and cozy nooks for reading and relaxing,

and on the second floor each bedroom is designed as a large window bay

for views across the treetops. Note the free-flowing circulation pattern — you can walk through the bathroom to the closet and back through the master bedroom — which adds a sense of spaciousness.

The trellis, shed dormers, and simple gable (shown above in the rear elevation of Plan 474-4) echo features of early Craftsman style houses, like this example

in Gustav Stickley’s Craftsman magazine (courtesy Arts and Crafts Homes magazine).

Peter and Stella earned their architecture degrees from the University of Michigan and recently founded the Perfect Little House Company as an offshoot of their firm, BC & J Architects. Peter has extensive town planning experience with emphasis on project management and building technology, and teaches architecture at the University of Washington. Their Cottages on the Green at Roche Harbor,

shown here, create a strong sense of place: it’s a new community that feels as though it has always been there. Welcome to our neighborhood, Peter and Stella!


Once and Future Home Ideas

Drawing from Disney

Walt Disney was fascinated with the shaping of space both visually and physically, from the way he transformed the animated film to his invention of the modern theme park. I think architecture was always an important theme for him, like the shiny-bright suburb in the Goofy cartoon Motor Mania of 1950 or the suave contemporary ranch house in the original Parent Trap of 1961. I vividly remember touring Monsanto’s  House of the Future at Disneyland

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(image fromYesterland.com) with its curvilinear white plastic pods

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cantilevered over a central support and utility podium (Yesterland.com). Though designed not by Disney but by two MIT professors — who must have been channeling Buckminster Fuller

Dymaxion House model from website

and his similarly central-masted Minimum Dymaxion house of 1929 — Walt had the sense to give the plastic Monsanto house a ten-year lease in Tomorrowland. The swoopy modern  furniture from fifty years ago

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still looks contemporary today (Yesterland.com photo)

I was reminded of these images and Disney’s huge influence on design and our appreciation of it when I toured the superb new Walt Disney Family Museum in San Francisco’s Presidio, which opened last week. Two hours flew by. I felt I had stumbled into an animated autobiography, or rather, a compelling four-dimensional biopic.

San Francisco’s Page & Turnbull Architects have deftly inserted the state-of-the-art museum

WDFM by Cesar Rubio

into an historic 19th century brick row (photo by Cesar Rubio) along the Presidio’s parade ground — which is itself like a distant extension of Disneyland’s own Main Street. From the front there’s no hint of the wonderland within. And at the rear only an elegant glass skin

Disney Museum

drawn across an addition (photo by Bruce Damonte) suggests a house of marvels. You experience the museum as a journey through Walt’s life with text blocks, still images, film clips, memorabilia, and narrations by Walt and others every few feet along a carefully choreographed and roughly chronological path. It’s a soft cacophony of sounds and images,  a “dark ride” that you walk, and even then it’s impossible to absorb everything.

Highlights for me are the multi-story “multiplane camera” that allowed Disney  filmmakers to create a realistic sense of depth within animations, the clever elevator that’s designed as a train car (the vertical naturally becomes the horizontal in this Looking Glass world), and the sleek modern terrazzo-and-glass mini-Guggenheim ramp

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(image courtesy Walt Disney Family Museum) spiraling around a huge and meticulously detailed scale model of Disneyland.

In one sense it’s all a bit deifying, as if Walt were a latter day King Tut, but — as they say in Egypt — what a cool tomb! And here the hieroglyphics even dance to Silly Symphonies.

Beyond the Casino

I was also in Las Vegas last week, for a talk about Cliff May’s ranch houses at the World Market Center, which is another sort of  “ride.”

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Well off the Strip on the north end of town across from City Hall (you can see the Stratosphere Casino tower in the background), this enormous furnishings marketplace is a contemporary landmark in its own right. The complex consists of a series of interpenetrating cubes and polygons that wrap around a 15 story tall central court that’s open to the sky,

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like a box canyon from Red Rocks Park  reassembled as a building. It feels like the entrance to Oz. One of the great things about this design center is that it’s open to the general public, not just to professional designers. The Center’s Design Salon

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offers consumers the ability to purchase designer furnishings previously offered only to the trade. Complimentary one-hour consultations with interior designers accredited by the American Society of Interior Designers are also offered. It’s a good place to get ideas for shaping or reshaping your home.

A short ride away is the new 180 acre Springs Preserve, Las Vegas’ answer to Tucson’s Living Desert Museum, and built on the site of the original springs for which the city is named (vega means spring in Spanish).

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Here’s one of  the rotundas, recalling a sculptural sundial or open cistern. Part of the vast indoor-outdoor complex comprises a  sustainability hall where one gallery has  been turned into a model home — which puts a novel recycling spin on that overworked trademark phrase “what’s done in Vegas stays in Vegas.” One of the most effective exhibits here

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simply shows how much water is used in a typical five-minute shower with and without a low flow showerhead. (Nothing about sand baths, however…) Elsewhere in the museum you can experience a simulated desert flash flood (perhaps the other side of sustainability?) which in this case is fun: inside one of the buildings you stand on a metal bridge across a boulder-strewn arroyo and suddenly the water surges around and under you.

So what does it signify, when Disney comes to San Francisco and resource conservation arrives in Las Vegas? That may sound like the resolution of some distant prophecy but I think it means that things are looking up.

In other news, check out Writer Tracey Taylor’s  fine article about about us and affordable home design in the Financial Times! Her website tktaylor.com includes a wide range of stories about design and is a must read.

SEA RANCH HOUSES

Small Is Beautiful — Again

The great American architect William Turnbull (1935-1997) was a friend and mentor who made the complex art of architecture look simple and inevitable. So I am very excited to announce that Houseplans.com has acquired the rights to sell copies of Bill’s iconic designs for employee housing at The Sea Ranch, an ecologically sensitive community on California’s northern coast. Built in the late 1980s, they’re what cabins should be: modest but memorable.

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Shaker-simple, contemporary, and very small — 650 to 924 sq. ft. — they nevertheless have a powerful visual presence, as the image above by eminent architectural photographer Morley Baer shows (copyright 2009 by the Morley Baer Photography Trust, Santa Fe. All reproduction rights reserved).

Plan 447-1 (interior below in another Baer photo) illustrates how Bill made the most of limited space. The bedroom is an alcove off the living room, allowing each room to borrow space and light from the other. The exposed scissor truss and beautifully proportioned windows add character.

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Thanks to strong outlines, rustic materials, and an efficient porch-oriented plan the vacation begins at the front door.

Plan 447-2, below, organizes rooms in a line like cars on a train, which is appropriate for long narrow sites:

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Plan 447-3 is a two-story design for a duplex. Here’s the elevation, which recalls a Georgian townhouse in its classical simplicity:

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Bill Turnbull first received international attention in the mid-1960s as a principal of Moore Lyndon Turnbull Whitaker (MLTW), designers of the celebrated Condominium #1 at The Sea Ranch, shown below in a wonderful portrait by photographer Jim Alinder:

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Left to right: Richard Whitaker, Donlyn Lyndon, Charles Moore, and William Turnbull. Bill collaborated with Charles Moore and Donlyn Lyndon throughout his life, but started his own firm, William Turnbull Associates, in 1970. Though Bill designed many large scale projects he relished house design as a way to explore three dimensional space and architectural connections to the land. Bill was also a gardener, vineyard owner, and wine maker: a true Jeffersonian who also knew how to carve a roast turkey to perfection. His vibrant successor firm — Turnbull Griffin Haesloop Architects — continues to do exemplary work.

A percentage of the price of each Willam Turnbull Sea Ranch plan supports the Environmental Design Archives at U. C. Berkeley, which preserves the drawings and papers of significant California architects and landscape architects.