FOR SALE: Bay Region Modern Case Study House Plans
Our newest exclusive modern plan is historic: we now offer copies of Case Study House #3 designed by William Wurster and Theodore Bernardi. The avant-garde Los Angeles magazine Arts & Architecture and its editor John Entenza addressed the need for new housing after World War II by launching the Case Study House Program in 1945. The plans for CSH #3 were published in the June 1945 issue (cover shown below).
The program promoted low cost, experimental, contemporary home designs using donated materials from industry and manufacturers and showcased the work of mostly Southern California modernists like Charles and Ray Eames, Richard Neutra, Craig Ellwood, and Pierre Koenig. Wurster was the most famous Northern California architect to be included in the program. At the time, Wurster was Dean of Architecture at MIT while Bernardi ran the office in San Francisco.
Wurster’s work embodied the Bay Region Style in his use of simple understated forms, natural materials, strong indoor-outdoor connections, and straightforward construction methods. He once said: “I like to work on direct, honest solutions, avoiding exotic materials, using indigenous things so that there is no affectation and the best is obtained for the money.”
(Photo courtesy Environmental Design Archives.) He was what I would call a “Back Door Modernist” in that he made plainness and simplicity artful and current. One of his earliest houses, from 1928,
shows the emphasis on light, proportion, and natural textures (Roger Sturtevant photo above courtesy EDA). He was fond of using ordinary but modern materials like plywood and concrete block. He returned to California in the late 1940s and helped found the College of Environmental Design at U. C. Berkeley.
Case Study House #3 (originally called CSH #2, as shown on the drawing) is our Plan 470-9 and is an H-shaped design that celebrates nature with a tall covered outdoor room called “the porch” between the kitchen/dining/living area and the bedroom wing.
It’s basically a modern version of the “dogtrot” — two rooms separated by a breezeway — a classic early American vernacular plan. The carport is cranked away from the main rectangle to meet the driveway. A drawing by delineator Arne Kartwold (who worked in Wurster’s office for a few years) captures the expressive energy of the design
complete with a big-fender automobile idling by the front door. Kartwold’s rear perspective
shows how the central porch and master suite open to the backyard, combining indoor and outdoor space in a unified design. Another distinctive feature is the “work room” adjacent to the kitchen. It was conceived as a hobby room but could become a mudroom/laundry. The plans would need to be brought up to code and a few details updated — for example, the master bathroom is small by today’s standards (see our Customization Department!) — but the graceful flow between rooms, the elegant windows and doors, and the generous use of sheltered outdoor space make this design compelling. The house was built in the Mandeville Canyon area of Los Angeles. Arts & Architecture covered the completed house in its March 1949 issue.
A percentage of the plan price supports the Environmental Design Archives at U. C. Berkeley, which preserves the drawings and papers of significant California architects and landscape architects. For more on the Case Study House program see the Arts & Architecture website above and Case Study Houses: 1945-1962 by Esther McCoy (Hennessey & Ingalls, 1977), and Case Study Houses: The Complete CSH Program by Elizabeth A. T. Smith (Taschen, 2009). For more on Wurster see An Everyday Modernism: The Houses of William Wurster, edited by Marc Treib (SF Museum of Modern Art, 1995) and Bay Area Houses, edited by Sally Woodbridge (Gibbs Smith, 1988).

















































